How can a programming language as Faust inspire and help shape our research, research-creation, and teaching activities in a Music Department? The answer may differ from what would be given in a computer science department. What value do we see in teaching Faust to music students and musicologists, in using this language to generate timbres…
The widespread availability of equipment and processes for creating sound spaces in the digital audio field has been accompanied by a musical and technical convergence towards certain ‘mainstream’ spatialization processes based on the acoustic modeling of point sources in a reverberant environment. But the question arises to understand how far this approach of sound spatialization…
The G3S research team was delighted to travel to Reims for our very first on‑site meeting with a partner, Philippe Giordani at the Césaré Creation Center (Centre National de Création Musicale, CNCM). It was a very exciting and inspiring day. We spent hours brainstorming on the relationship between space, listening devices, and musical composition. Philippe Giordani introduced…