How can a programming language as Faust inspire and help shape our research, research-creation, and teaching activities in a Music Department? The answer may differ from what would be given in a computer science department. What value do we see in teaching Faust to music students and musicologists, in using this language to generate timbres (rather than just notes) in electroacoustic and mixed media music, or in establishing our software foundations for research-based creation? We will demonstrate how this language aligns with our practices, providing examples from both our teaching in the third year of the Bachelor’s program and our research projects on the sound space—such as the ERC Advanced Grant G3S (Generative Spatial Synthesis of Sound and Music)—as well as our work in computer music composition.
With: Alain Bonardi, Paul Goutmann
Conference link : https://www.youtube.com/embed/ULSSU6nfd54?si=8IKnSd1RMt36he9h