Exploring 2D Ambisonics by Amplitudes and Phases [Long paper]
This paper presents a spectral-like reformulation of two-dimensional ambisonics, enabling an alternative representation of the sound field in terms of amplitudes and phases. We situate this work within electroacoustic music creation, framing spatial audio as a synthesis problem. The amplitude-phase approach we propose allows for continuous manipulation and distortion of the sound field, starting from…
